Have you ever come across a claim so outlandish, you couldn't help but dive in? Here's one: President Obama's official White House portrait reportedly hides a sperm image on his forehead. Crazy? Maybe. Worth a deeper look? Absolutely.
As you know, I don’t lean towards “conspiracies”, but I also know that real stories routinely get smeared with that label. This one had an extra adjective, often being described as a “racist conspiracy theory.”
Here’s the claim: a vein-like feature in Obama's portrait was intentionally painted to look like a sperm. Sean Hannity posted about it, then deleted the article.
The media, from the Snopes “debunking” site to at least a dozen “mainstream” sites, labeled the claim as racist or absurd. Yet, I discovered a strange pattern. Time and time again, the articles didn’t show readers a close-up of the image in question. Instead of allowing people to judge for themselves, they settled for ridicule. And none took a look at the artist’s background.
After all, who might do such a thing? Artist Kehinde Wiley, that’s who.
He’s a flamboyant, self-described “provocateur” who is known for recreating famous Old Master paintings, replacing the featured person with a black man. As fate would have it, he often paints sperm into those paintings to “take masculinity and all of its bravado down to the most essential component.”
He spoke to the media frequently about his spermcraft. This glowing New Yorker profile of him mentions sperm three times, and quotes Wiley as saying, “In every male ejaculate, there's a possibility to populate an entire city like New York. Every single person that's around is winning some cosmic game.”
Wiley sometimes creates paintings featuring sperm front and center:
Other times, he hides them in the details:
There are more than these, but you get the idea.
Yet the question at hand is, “Did he sneak one into Obama’s portrait as well?”
For a detailed look, I found a high-resolution image at the National Portrait Gallery. Comparing the portrait to actual images of Obama's forehead reveals differences. His vein, while prominent, doesn't quite match the disputed feature in the painting. Is it artistic liberty or a deliberate inclusion? Wiley's not-so-hidden messages in his art make one wonder.
I'm no art expert, so take a look and decide for yourself. Did Wiley sneak in his signature sperm, knowing it might ignite a controversy while remaining elusive enough to avoid outright confirmation?
As for the media, their handling of the situation speaks volumes. When the substance of a claim is bypassed for quick labels of racism, it's a disservice to us all.
Curious about the full story? I've delved deeper into this in my latest video. Again, it's not just about uncovering hidden images in a portrait. It's about seeking truth in a world quick to judge and slow to investigate.
Check out the full video for a closer look.
–Ken
Kehinde Wiley is no Al Hirschfeld (readers unfamiliar -- check out the biodoc at https://www.amazon.com/Line-King-Al-Hirschfeld-Story/dp/B07DSGQQ1Q ) as an artist, but he's mastered a modern adaptation of Hirschfeld's signature "find the Nina's" gambit. And what good is a publicity ploy without conspiracty theorists and journalism critics willing to board the hype train?
The ambiguous hint of his favorite motif (spur-mat-uh-ZOH-uh) is perhaps all Wiley was willing to risk with such a revered, prominent, and out-and-out rumor-prone subject. Critics and reporters familiar with Kehinde's other work certainly have reason to swallow the bait, as it were, and reproduce wily Mr. Wiley's name in the unlikeliest of places, e.g. your subscribers' inboxes. Not exactly the kind of "hard" news we anticipate from your Substack, Ken, but just sassy and irreverant enough to counterpoint the leg-tingled fawning of Obama era White House coverage.
Whatever it takes for the Dems to Lose 2024 Race & On theyre actions alone
So funny anyway